The development of the USA Today newspaper began back in February 1980 when a secret task force began working on “Project NN” with Gannett Company. The first prototypes of the paper were printed on June 11, 1981 mailing two different proposed layout to various news-makers. One of the goals of the paper was to create a shorter form, concise and easy-to-read publication. It wasn’t until this day in 1982 that the first edition was printed, the start of a series of milestones. The paper was first distributed in Baltimore and Washington, D.C. and gradually expanded nationwide. By the end of 1982, the circulation of the newspaper was over 362,800. On July 2, 1984, USA Today switched from a partially color publication to a full-color one. On April 8, 1985, the paper published its first special bonus section called “Baseball ’85.” Near the end of that year, the paper had become the second largest newspaper in the U.S. with a circulation of 1.4 million. It reached 5.5 million by 1987. On May 6, 1986, an international version of the publication began to be printed. On January 29, 1988, the largest edition of USA Today was printed previewing Super Bowl XXII. By July 1991, the circulation had grown to 6.6 million. On April 17, 1995, the first online version of USA Today appeared. When that wasn’t enough, USA Today Live appeared on TV sets on February 8, 2000. On September 12, 2001, the paper set a single-day sales record of 3,638,600 copies focusing on the Word Trade Center attack. By August 2010, readership of all newspapers began to decline and USA Today announced the layoffs of 130 staffers and in January 2011, the front cover was tweaked and then went through a major redesign in September 2012. On September 3, 2014, the paper announced that it would lay off roughly 70 more employees. Today, the national newspaper has a weekly circulation of over 1,000,600.
|(Wikimedia/20th Century Fox)|
Sadly, when people think of Marilyn Monroe, the image that usually comes to mind is the scene from The Seven Year Itch where the actress stands over the subway vent and her skirt is blown up due to a blast from underneath. The scene, which only appears briefly in the movie, infuriated her husband Joe DiMaggio, who thought that it was an exhibitionist stunt and divorced her soon after. It was shot on this day at 1 a.m. on Manhattan’s Lexington Avenue. Monroe only had a couple of lines, but managed to flub them numerous times in front of some 5,000 onlookers who made their presence known with hoots and hollers. The scene was re-shot on the studio lot which still took about 40 takes. Ironically, the iconic image was only partially shown in the actual movie, focusing on her Monroe’s legs.