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Shyamalan's 'Glass' is Engaging Almost Until the End

MOVIE REVIEW
I don’t think anyone will deny that M. Night Shyamalan is a great storyteller. He initially proved that with the release of The Sixth Sense. The symbolism of the color red, the odd scenes that made very little sense until the end of the movie and of course, the amazing twist that nobody saw coming. That incredible twist has almost been the director’s undoing. Since 1999, not one of his other movie’s endings have had the same impact, but he continues to try.

In 2000, Mr. Shyamalan hoped that lightening would strike twice with Unbreakable which also starred Bruce Willis. Like The Sixth Sense, Unbreakable was a mystery only this time, the story featured the lone survivor of a train crash who left the accident without a scratch on him and an incredibly fragile, wheelchair-bound, comic book enthusiast which appeared to be the polar opposite. The story was intriguing, but basically fell apart near the end when the twist was revealed. Now almost 19 years later, the same thing ha…

57th GRAMMY Awards - Mostly Tasteful

Last year's GRAMMY Awards made headlines for all the wrong reasons.  Each GRAMMY special is usually a weird mix of every music genre with some performances more memorable than others. This year's presentation was much more calmer and dare I say, classier in comparison?

The night began with a trip on the Highway to Hell with AC/DC's first GRAMMY performance ever, which made some of us concerned about what we were going to see this year. Madonna's performance began with an army of horn-wearing male dancers which looked like another tribute to the devil, but instead, they were resprenting a herd of bulls and Madonna a matador. She sang her new single, "Living for Love" which was surprisingly uplifiting. At the end of song, she was joined on stage by a choir of gospel singers and Madonna was hoisted up into the air. The only thing really offensive was the tacky introduction by Miley Cyrus and Nicki Minaj.

One of the night's more clever performances was that of Pharrell Williams and Hans Zimmer performing Williams' "Happy," which also won the best pop solo performance. They took the theme song from the animated "Despicable Me" and gave it a classical touch. Other performances included  a tasteful performance by Lady GaGa and Tony Bennet (who won for Best Traditional Pop Vocal Album) and a duet with Jessie J and Tom Jones singing "You've Lost That Lovin Feelin.'" 



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